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Showing posts with label sketching. Show all posts
Showing posts with label sketching. Show all posts
pen tool being used for carbon paper transfer
So you have drawn something into your sketchbook or on loose scratch paper that you wish to transfer to either illustration board or better paper, but you aren't sure if you can do it free hand again? I have a solution for you that I learned in one of my drafting classes in college. This process is best for transferring onto paper or illustration board; I have not used this process on anything else. I have also only used it for small images. The largest size has been 8.5 x 11 inch, however, art and drafting stores will have larger sheets of Carbon paper if you want to go larger.

This technique is also helpful when you have traveled from home or don't have a nifty light box for tracing.


Materials needed

  1. Image you want to transfer
  2. Carbon Paper - find at craft or office supply stores; the sheets are reusable and 1 package can last for many years
  3. Drafting dots or tape specific to painting - for easy removal
  4. Embossing pen tool
  5. Eraser
  6. Pens (if inking)
three images showing how the carbon paper transfer occurs with the resulting image.
Tracing with embossing tool (top), close-up detail
(middle),transferred image (bottom).


  • Take your drawn image and make a photocopy of it. This way you can change size easily and position it on the desired paper easier.
  • Place a sheet of carbon paper darker side down and set it aside, but not on your target area yet. Carbon paper is also available in white which is useful if you are transferring to a black or simply darker target.
  • Trim the excess paper from around the copy of the image.  
  • Using the drafting dots take the copy of your drawing to the carbon paper.   Remember the dark (inked) side should be lying on the work surface.
  • Now position the carbon paper gently onto your chosen medium. Gently place tape to at least two corners so that it is secure.

*Do not rub or press too hard on the image as this will transfer*


  • Without pressing too hard trace your image with the embossing pen tool.  It is best to plan where you are to start and what path you will take. This way you can be sure to transfer the whole drawing. You can lift the paper to also see progress as you go, but try not to do so too often because you could accidentally move the image the image. When done remove the carbon paper. If inking by  hand go ahead and do so using the eraser to get rid of transfer lines. I use a gum eraser for my work. It doesn't leave smears or residue. They also work better at taking up lines.

*If you press too hard during the tracing they will NOT erase - be GENTLE*


  • At this point if you want the final artwork to be painted -  just paint.

Although there are many different transfer methods, this is one that I have been adept with since my days in architecture classes. This is easy, fast, without needing much space or set-up ahead of time and it can be done anywhere. I like to share information about tools and materials I use.

I hope you have enjoyed this tutorial and if you have any questions feel free to ask!



All images © Tanya Davis
artist at art show, elizabeth joan white
Elizabeth J. White,
 at an art show.

Elizabeth White creates her art at home in Easley, South Carolina.  Working mainly in acrylic, she does not limit herself. White also uses oil, watercolor, pencil, charcoal and other mediums in creating her art. She considers her style as traditional and she also experiments with different forms of art. Her works are sometimes abstract as well as portrait, landscape and fantasy. "I love to paint, and create; I don't want to sound cliche but to me art is me - who I am as a person."  Artworks by White are on display in Greenville, SC at Les Beaux Art, in the village of West Greenville.




Elizabeth White introduces herself:

I have been told my first creation was on mama's pots and pans. I can't say I am from anywhere really; I was born on an airforce base, the middle of three children, so we traveled often.  Creating art from memories is something I love doing. I draw inspiration from the old adage, "The best things in life are free" and they truly are, like a church on the hillside overlooking fields of grain, little children playing with all the wonderment of their first experience of the leaves changing color, a quiet day on a old tire swing by the lake. Many things that inspire me, my granddaughter my family, my country, events, one thing is I always give myself in my art, from something that touches me and warms my heart to something so wonderful that I see and the colors stand out vividly... even from dreams, I love to paint, and in between my paintings I love to sketch; and in all my art I feel I leave something of myself.


bright blue water, animals
The Gathering © Elizabeth J. White